Mixing & Mastering Tip #161 ·
How to fix harsh, metallic vocals from cheap microphones
Metallic or harsh vocal recordings became a huge headache in the last decade because of the large number of home studio recordings and the widespread availability of cheap microphones.
The quality of the captured sound is significantly influenced by the quality of the equipment used for recording. But if you compare a recording made with a €99 microphone to one made with a €4999 microphone, just by comparing the raw recordings, you might not perceive a significant difference. The disparities become apparent as soon as you begin processing the clip.

The core issues
Cheap microphones are often perceived as “metallic”. Hello, RODE NT1.
That sound is typically the result of several factors:
- Poor electronics.
- Lack of a flat frequency response.
- Harmonic distortion.
- Resonances due to an imperfect housing build.
It’s important to note that not all cheap microphones will sound metallic, just as not all expensive microphones sound perfect. With advances in technology, many affordable microphones today offer surprisingly good sound quality for their price.
However, in my experience, cheaper microphones require more processing during the mixing stage, and consequently the resulting sound quality is usually compromised.
Pro tip 1: a tight bell on the high frequencies
If you want to mitigate the harsh, metallic sound of a microphone, try adding a small EQ bell in the 8, 9 or 10 kHz range (depending on the vocal).
This will greatly reduce the amount of harshness in the take. Do this before you start compressing and saturating. You can go as hard as you need.
But don’t overdo it.

Pro tip 2: a low pass with Indigo SSP
My favourite plugin for reducing harshness from inexpensive microphones is Indigo SSP, used as a low pass. I kept this technique a secret for a few years, and many of my students and mentees now use it daily.
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